Suspension of
Disbelief
Maren Logan
Being a girl requires a suspension of disbelief.
You take your disbelief, grip it by its rearing horns,
and you nail it or screw it or duct tape it,
sometimes using all of it, all at once, until your
hands are pink as raw meat. You inspect the backs
of your calves for rashes. Look at you.
You didn’t even need a man to hold the ladder.
And it’s beautiful. Take that linen sheet, flax fraying
from age and sunspots, to a contemporary art show.
Win a crimped ribbon. You only remember heaven when
requesting an exclusion. When writing manifestos that
start as prayers and end as death threats, upload them
to the cloud. Email God. He cups your face between his
hands. He has a gap between his front teeth.
You poke the tenderer part of his gums.
No one likes a cynic. They’re no fun. Movies have villains
and victims. Isn’t it refreshing, the lack of CGI?
And aren’t you lucky to be in the front row, where the
only thing to fear is Frank Silva’s tornado
mouth and its bad breath? You keep hanging.
Now you could hang your disbelief up with your
eyes closed. With just a bobby pin or masking tape.
Court-ordered disbelief hanging. Surgeon-prescribed
disbelief hanging. It becomes second nature. So when
they say: “the man at work one desk over raped a girl”
you’re actually surprised, because your neck, so used
to looking up, has grown a new muscle.
You’re still staring at the stars heaven empties.
You rattle it, and hear the stars hit ceramic sky
like quarters in God’s slotted piggy bank.
Maren Logan is an emerging multimedia artist and writer from Indiana. Her art has been published in the Penn Review, Michigan Quarterly Weekly, Grain of Salt, and Soft Star Magazine. Her fiction has been published in Sink Hollow Literary Journal, and her poetry in Transient Magazine, Daughter Zine, and Antler Velvet. "Split Gums," her column, can be found through The Purdue Exponent.